- PrintRoom is closed until August 22. Have a great summer!
- Friday 5 June 2015, 8 – 10 pm: The Mothernists, book presentations by Lise Haller Baggesen, Andrea Francke and Christa Donner
- 17 April 2015, 8 – 10 pm: On Pixels and Cathedrals – Artists’ books by Laurence Aëgerter and Anouk Kruithof
- 27 March 2015, 8 – 10 pm: book presentations by Bik Van der Pol and Matylda Krzykowski
- Until 14 February: GLASS HOUSE by Zoe Beloff & the Flip Collection V, part of the 44th International Film Festival Rotterdam
- The Flip Collection V, open call & exhibition
- Friday 12 December 2014, 5 – 9 pm: Ma(r)king Time
- 14 November 2014: PrintRoom’s Pick from the NY Art Book Fair
- 12.09.14 V. Vale RE/Search Publications
- 29 June 2014: Launch of ‘A Decade of Country Hits: art on the rural frontier’
- Alauda Publications
- Antje Peters
- BAS – BENT BOOKS
- Boekie Woekie
- Book Works
- Club Donny
- de Player
- From Me To You Publications
- Fucking Good Art
- Han Hoogerbrugge
- J&L BOOKS
- Koen Taselaar
- Lubok Verlag
- Manuela Porceddu
- Max Senden
- Paul Haworth
- Publish and be Damned
- Sam de Groot
- Sea Urchin Editions
- Serge Onnen
- Styrmir Örn Guðmundsson
- True True True
- TTC gallery
Friday 5 June 2015, 8 – 10 pm: The Mothernists, book presentations by Lise Haller Baggesen, Andrea Francke and Christa Donner
This program is part of the weekend-long The Mothernists event at Leeszaal West, Upominki and PrintRoom, in collaboration with m/other voices and Upominki, with deep gratitude to all contributors. Full program 5/6/7 june 2015
-Mothernism by Lise Haller Baggesen
-Invisible Spaces of Parenthood Manual by Andrea Francke
–Propositions, Manifestos & Experiments by Christa Donner
Tunes by Loes Verstappen
MOTHERNISM by Lise Haller Baggesen
At the intersection of feminism, science fiction, and disco, MOTHERNISM aims to locate the mother-shaped hole in contemporary art discourse. If the proverbial Mother is perhaps perceived as a persona non grata in the art world, because her nurturing nature is at odds with the hyperbolic ideal of the singular artistic genius, MOTHERNISM amplifies her presence, channeling her energy, complexity, and sublime creative potential in a series of intimate and critical reflections. The resulting collection of letters—dedicated with love from one mother to her dear daughter, sister, mother, and reader—fuse biography, music, art, and history into an auto-theoretical testimony that recalls and redefines the future imperfect.
Lise Haller Baggesen (1969) left her native Denmark for the Netherlands in 1992, to study painting at the Academy of Art and Industrial Design in Enschede and the Rijksacademy in Amsterdam. In 2008, she relocated with her family to Chicago, where she graduated from the School of the Art Institute in 2013 with an MA in Visual and Critical Studies. Over time, her painting practice evolved into a hybrid production, including teaching, curating, writing, and multimedia installation work. She has shown internationally in galleries and museums including Overgaden in Copenhagen, the Municipial Museum in the Hague, MoMu in Antwerp, Württembergischem Kunstverein in Stuttgart, CAEC in Xiamen, The Poor Farm in Manawa, Wisconsin, 6018 North, Chicago and the Museum of Contemporary Art in Chicago. MOTHERNISM (Green Lantern Press, 2014) is her first book.
Invisible Spaces of Parenthood Manual by Andrea Francke
The ISP Manual is part of Invisible spaces of parenthood: A collection of pragmatic propositions for a better future, a Communal Knowledge project by Andrea Francke that explores issues surrounding childcare in collaboration with local nurseries, childminders, children’s centres and parent groups, and looks for new models and possibilities. This included setting up an exhibition and a workshop space at The Showroom, summer 2012, for visitors to test out DIY designs for furniture and forms of play, some of which were gathered through an open call.
The manual contains eight especially commissioned essays as well as interviews, event excerpts, discussions and documentation from the exhibition.
Andrea Francke was born in Peru and is currently based in London. She is currently developing two main research projects. Invisible spaces of parenthood: A collection of pragmatic propositions for a better future explores issues surrounding childcare in collaboration with local nurseries, childminders, children’s centres and parent groups, and looks for new models and possibilities. It uses 1960s and 70s DIY culture as a frame of reference to question political, pedagogical, social and economic structures around parenting. The Piracy Project, a collaboration with Eva Weinmayr as part of the AND Publishing program (2011 – 2013), is an exploration of the philosophical, legal and practical implications of book piracy. She was a recipient of the Red Mansion Art Prize (2011) and a Communnal Knowledge resident at The Showroom gallery in London (2012). In early 2013, she was an artist in residency at CCA, and working on a commission for the 2 degrees festival in London.
Propositions, Manifestos & Experiments is a risographed think-tank exploring the intersection of contemporary artmaking and family life through text and image from 28 international artists, published in glorious duotone by the collective Temporary Services with a centerfoldout poster of the Cultural ReProducers Manifesto. The zine features contributions by: Christa Donner, Candida Alvarez, Laura Berman, Andrew Yang, Lise Haller Baggesen, Keiler Roberts (Powdered Milk), Lenka Clayton, Jennie Temple (Project!! Wakaka!), Stephanie Diamond, Selina Trepp, Chiara Galimberti, Lauren Weinstein, Alberto Aguilar, Fred & August Sasaki, Orla Whelan (AtHomeStudios, the Mothership Project), Crystal Ann Brown & Eliot Hown (The Hown’s Den), Libby Clarke, Rebecca Niederlander & Iris Anna Regn (Broodwork), Jane Marsching & Andi Sutton (Plotform), Kyle Schlie (S.A.C.K.), Melissa Potter, Claire Ashley, Andre Francke & Kim Dhillon (Invisible Spaces of Parenthood).
Christa Donner is an American artist based in Chicago. She investigates the human/animal body and its metaphors using a variety of media, ranging from small-press zines to large-scale installations. Her work is exhibited internationally, including projects for The Worldly House in dOCUMENTA 13 (Kassel, Germany); BankArt NYK (Yokohama, Japan); Chiaki Kamikawa Contemporary Art (Paphos, Cyprus); the Museum Bellerive (Zurich, Switzerland), ANTI Festival of Contemporary Art (Kuopio, Finland), the Centro Columbo Americano (Medellin, Colombia), and throughout the United States. In 2013 Donner initiated Cultural ReProducers, an evolving creative platform supporting active cultural workers who are also raising children.
17 April 2015, 8 – 10 pm: On Pixels and Cathedrals – Artists’ books by Laurence Aëgerter and Anouk Kruithof
An integral part in the practice of both artists Anouk Kruithof and Laurence Aëgerter involves the production of artists’ books and publications, which can be pieces in themselves and contributions to larger projects within exhibitions and the public space.
For this occasion the artists provide an introduction to their practices by presenting and discussing several publishing projects with the audience.
Special guest Erik van Boxtel, librarian of the Museum Boijmans Van Beuningen, brings books from the museum collection that he and PrintRoom selected to set in dialogue with Kruithof’s and Aëgerter’s works. Following the event books by both artists will be joining the museum collection as new acquisitions.
Anouk Kruithof is a New York based artist. Conceptual and project based, her work uses photography as a vehicle for infinite possibilities. She is a frenetic artist book maker.
Laurence Aëgerter is a multi-disciplinary artist who lives and works in Amsterdam and Marseille. In an on-going process which oscillates between projects in public space, photography and artist’s books, Aëgerter’s work addresses the permanent transformation that lies in the essence of things.
What if the moon were just a jump away? is a publication by Bik van der Pol. It is a script based on conversations into the Participatory Budget* (PB) in Porto Alegre, Brazil. This material has been arranged as a dispute; as a discursive and imaginative fight in space. The moon, an image shared and owned by all inhabitants of this planet, is conjured as a location that activates a new participatory imagination, to eventually implement change here on earth.
Bik van der Pol is an artist duo based in Rotterdam.
What if the moon were just a jump away? was made in collaboration with poet/editor Rachel O’Reilly and designer Dongyoung Lee. It is the first project of Labin, a publishing project by Dongyoung Lee and printed at the Charles Nyples Lab at Jan van Eyck
* Participatory budgeting (PB) is a process of democratic deliberation and decision-making, and a type of participatory democracy, in which ordinary people decide how to allocate part of a municipal or public budget. Participatory budgeting allows citizens to identify, discuss, and prioritize public spending projects, and gives them the power to make real decisions about how money is spent. When PB is taken seriously and is based on mutual trust, local governments and citizen can benefit equally. In some cases PB even raised people’s willingness to pay taxes. Source: Wikipedia
Matylda Krzykowski‘s work plays a role in integrating curating and exhibition-making within a larger discourse. With Display she explores how we design messages to the public in a collaborative mode. An extract of the project is compiled as a handbook, now serving as template for the designers and artists that will be invited to make a display in the former shop windows of Depot Basel, space for contemporary design in Switserland. It thus became a long-term exhibition format, a collaborative curatorial strategy, open to the public 7 days a week. Matylda Krzykowski is a designer, curator and co-director of Depot Basel.
The Display handbook holds contributions by: Anna Bak, Bill Balaskas, Alexandra Bertels, Josh Bitelli, Isabelle Born, Gregor Brändli, Christophe Clarijs, Marta Colon, Klara Czerniewska, Timo Demollin, Workshop for Potential Design, EMYL, Tal Erez, The Farm, Studio Glithero, Veronika Gombert, Carl Haase, Rodrigo Hernandez, Maria Jeglinska, Kaja Kusztra, Moritz Lehner, Cedar Lewisohn, Bárbara Maçães, Agata Nowotny, Study O Portable, Stefan Pabst, Juan Palencia, Pedro Portellano, Kasper Pyndt, Ronja Römmelt, Vera Sacchetti, Alessandro Schiattarella, Michael Schoner, Theda Schoppe, Speedism, Jasio Stefanski, TEOK, Andrew Thrope, Basil Thüring, Bik van der Pol, Andres Wanner, Anna-Lena Werner. It is collaboratively designed by Christophe Clarijs, Timo Demolin, Kaja Kusztra and Kasper Pyndt and printed at the Charles Nyples Lab with support by Jo Frenken.
For this occasion, Matylda Krzykowski and PrintRoom will make an installation at PrintRoom’s shop window.
This event will mark the opening of our renovated window space, and the start of a window exhibition format at PrintRoom.
Until 14 February: GLASS HOUSE by Zoe Beloff & the Flip Collection V, part of the 44th International Film Festival Rotterdam
~ GLASS HOUSE, an installation by Zoe Beloff
~ The Flip Collection V
An international collection of flipbooks by artists (scroll down for list of contributors)
Featuring: THE NUDISTE ASSOCIATION, a flip book by Zoe Beloff, PrintRoom publication #14
Opening: 23 January 2015, 7 – 10 pm
Schietbaanstraat 17, Rotterdam
The exhibition runs until 14 February
A moving image installation based on Sergei Eisenstein’s notes and drawings for a science fiction movie that he pitched to Paramount in 1930. He imagined a great glass tower in which not only the walls, but also the floors and ceilings would be made out of glass, a structure of complete visibility. “Glass House” was to be satire on capitalism in which surveillance deeply undermines relations between people. He called it “a comedy of and for the eye”. This speculative projects imagines what Eisenstein’s film might have been and how it can speak to us in the twenty first century.
Please visit the website of the artist for more information.
THE NUDISTE ASSOCIATION, a flip book by Zoe Beloff,
Based on notes for Glass House by S.M. Eisenstein
PrintRoom publication #14
The Flip Collection V
The Flip Collection is an international, growing collection of flipbooks, part of PrintRoom’s travelling collection of publications by artists, designers, photographers and theoreticians. A flipbook (also called thumb cinema) is a booklet that, for a short moment, becomes a film.
Contributions by: Ghenadie Popescu (MD), Maike Hemmers (DE/NL), Gözde Türkkan | Mimiko (TR), Georg Traber CH), Elena Gilbert (US/DE), Rachel Sender (ES/NL), Antje Van Wichelen (BE), Lawrence-Olivier Mahadoo (US/FR), Han Hoogerbrugge (NL), Sarah Vanagt (BE) & Katrien Vermeire (BE), Masha Krasnova-Shabaeva (NL/RU), Esther Urlus (NL), Bas Fontein (NL), Gloria Glitzer (DE), Quinten Swagerman (NL), Scott Blake (US), Ricardo Leal Gomes (PT), Roger Bygott (UK), Alice Rice (US), Jenny Suhonen (FI), Loes Verstappen (NL), Ernesto Morales (MX), Terhi Ekebom (FI), Andre Pielage (NL), Jenni Rope (FI), Mariana Zanetti (BR), Kati Rapia (FI), Samuli Otto-Henrik Saarinen (FI), Anne Roecklein (US), Marieke Verbiesen (NL/SE), Derek Parker (US), Lise Duclaux (BE), Jan Voss (DE/NL), Com Amoras (PT), Maurizio Montalti (IT), Tomas Schats (NL), Michael Leigh (UK), Guilia Garbin (IT/UK), Anneke Nieuwdorp (NL), Armelle Caron (FR), Paulina del Paso (MX), Max Senden (NL), Margarida Fernandes and Sofia Magalhães (PT), Team Zatara (ES), Katrien Zintzen (NL), Wil van Iersel (NL), Gözde “mimiko” Türkkan (TR), Wouter Venema (NL), Martha Colburn (US/NL), Joris Lindhout and Maaike Gouwenberg (NL), Ines Schaber (DE), David Kühne (DE), Jessica Tankard ((US/NL), Corinne Janier (FR), Kamaya Lindquist (US), Rania Ho (US/CN), Jeanne van Heeswijk (NL), Francien van Everdingen (NL), Antje van Wichelen (BE), Fiet van de Vijsel (NL), Bea van Golen (NL), Joost Stokhof (NL), Stefan Klein (DE), Kim Hospers (NL), Michiel van Bakel (NL), Genevieve Hergott (FR), Akshara Verma(IN), Federico Antonini and Alessio D’Ellena (IT), Kathrin Wolkowicz (NL/DE), Primal (MX), among others.
This is the fifth time PrintRoom joins the International Film Festival Rotterdam (IFFR) with an exhibition by Zoe Beloff and a presentation of flipbooks by artists, designers, filmmakers and photographers. More info on the full program soon.
PrintRoom invites you to donate your flipbook to our growing collection.
A flipbook (also called folioscope, kineograph or thumb cinema) is a booklet that, for a short moment, becomes a film.
You can confirm your contribution by e-mail until 11 January 2015 to firstname.lastname@example.org. Your book should be at PrintRoom before 20 January.
When you send in a contribution, please include in the parcel as well as in your e-mail:
-Your address details (post, web and e-mail),
-A short c.v.,
-The title of the book,
-The year it was made
-A short description
Please note that all flipbooks will become part of the PrintRoom Flip collection as donations.
Although we handle all donations with care, we cannot be held responsible for any loss or damage.
Please send your flipbook to:
Presentation dates: 22.01.15 – 14.02.13
During the during the 44th edition of the IFFR (21.01 – 01.02.2014) PrintRoom is open from Thursday to Sunday 12.00-18.00
Or by appointment
– Milou van Ham and Moniek Driesse
Presentation of a working week’s collective labour; a wall sized poster produced at PrintRoom from Monday 8 to Friday 12 December, from nine to five.
– Mark Pezinger Verlag: Thomas Geiger & Astrid Seme
– Live book production by the PrintRoom team, based on ‘I Work, Therefore I’m Not’ by Anca Benera and Arnold Estefan
From Monday 8 December to Friday 12 December 2014, each day from 9 to 5, Milou van Ham and Moniek Driesse work at PrintRoom on the production of a wall-sized poster. Second by second, minute by minute, hour by hour they will be painstakingly perforating this poster by hand.
You are invited to join them during office hours. Take time to peruse the pages of PrintRoom’s books and select interesting quotes.
A selection of your quotes will be integrated in every fortieth part of the poster.
Thomas Geiger and Astrid Seme of Mark Pezinger Verlag (AT) present a selection of books by Kasper Andreasen, Katrin Herzner, Max Leiß, Thomas Geiger and Astrid Seme, who work in a daily publishing routine; a collection of productions documenting either long periods of work or individual documentations of a single working day. This collection of books was previously exhibited at Wiels Contemporary Art Centre in Brussels.
With his ongoing performance ‘I Want to Become a Millionaire’ Thomas Geiger stood for more than 350 hours in public space holding a sign with the project’s title. By selling signed sheets of paper for 1 euro each, he raised 15.000 euro so far. With this money Geiger finances new artistic projects.
‘I Work, Therefore I’m Not’, a book by Anca Benera & Arnold Estefan (RO).
From 8 to 12 December 2014 the PrintRoom team will also start the production of a new book, based on work by Anca Benera & Arnold Estefan.
‘I Work, Therefore I’m Not’ examines the condition of the artist who needs to support his or her practice through a day job. In their case, most of these jobs involve computer work. The drawings represent the traces left by the computer mouse, recorded through software, while working 5 days per week. A calendar will be compiled, starting from the 1st of December 2014. At PrintRoom we’ll print a drawing of each working day of Anca Benera and Arnold Estefan, or a blank page with only a date when they worked on their artwork instead. ‘I work therefore I’m not’ will be published in December 2015.
‘I Work, Therefore I’m Not’ was previously exhibited at Upominki, as part of the group show: Ways of Working, According to an Office Desk / documentation, curated by Niekolaas Johannes Lekkerkerk.